Analysis of Joan of Arc works of Art

Joan of flicker, was varicolored by the French realist artist Jules Bastien-Lepage in 1879. After the province of Lorraine was disoriented to Germany following the Franco-Prussian War in 1821, The Frenchmen saw in Joan of Arc a new and tough symbol. In 1875, Bastien-Lepage, a native of Lorraine began to illuminate studies for a picture of her. In the present painting, exhibited in the Salon of 1880, Joan is shown receiving her apocalypse in her p atomic function 18nts tend. Behind her are Saints Michael, Margaret, and Catherine. (Caption next to painting in The Metropolitan) Jules Bastien-Lepage creates a naturalistic atmosphere, including a supernatural, religious-like presence indoors his painting. Oil on read was used to create the realistic quality of the work. By fast examining the artists technique, it is kick the bucket that he uses delicate brush strokes in a honest to life sentence manner. The colors, and use of light seem to be miscellaneous in a layered fashion to give the landscape a sense of depth. The stage compass of the painting is a garden which include foliage and brush that surrounds the primary roll around of the painting, Joan of Arc. The artist put a great effort into the exposit of the scene. Bastien-Lepage uses a distinct realistic quality in his painting which is visible in each individual foliation and branch.

Various hues of earth tones, greens and brown being the most evident, are blended together in the garden scene. In the foreground of the painting is Joan of Arc. She is painted with a seemingly thicker paint technique. This makes her a more easily visible aspect in the painting, and catches the onlookers eye. Joan is urbane in a long brown douse and blue-gray clothe with white underneath which is the typical clothing means of the nineteenth century. The clothing is painted to show... If you want to get a dear essay, order it on our website: Ordercustompaper.com

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